(THE SAME SCENE—The table has been placed in the middle of the stage, with chairs around it. A lamp is burning on the table. The door into the hall stands open. Dance music is heard in the room above ...
John Bolton served as National Security Advisor to President Donald Trump for 519 days. A seasoned public servant who had previously worked for Presidents Reagan, Bush #41, and Bush #43, Bolton brought to the administration thirty years of experience in international issues and a reputation for tough, blunt talk. In his memoir, he offers a substantive and factual account of his time in the room where it happened.
Stephen Hawking’s worldwide bestseller, "A Brief History of Time", has been a landmark volume in scientific writing. Its author’s engaging voice is one reason, and the compelling subjects he addresses is another: the nature of space and time, the role of God in creation, and the history and future of the universe. But it is also true that in the years since its publication, readers have repeatedly told Professor Hawking of their great difficulty in understanding some of the book’s most important concepts. This is the origin of and the reason for "A Briefer History of Time": its author’s wish to make its content accessible to readers - as well as to bring it up-to-date with the latest scientific observations and findings. Although this book is literally somewhat’ briefer’, it actually expands on the great subjects of the original. Purely technical concepts, such as the mathematics of chaotic boundary conditions, are gone. Conversely, subjects of wide interest that were difficult to follow because they were interspersed throughout the book have now been given entire chapters of their own, including relativity, curved space, and quantum theory. This reorganization has allowed the authors to expand areas of special interest and recent progress, from the latest developments in string theory to exciting developments in the search for a complete, unified theory of all the forces of physics. Like prior editions of the book - but even more so - "A Briefer History of Time" will guide non scientists everywhere in the ongoing search for the tantalizing secrets at the heart of time and space. Thirty-eight full-color illustrations enhance the text and make "A Briefer History of Time" an exhilarating addition in its own right to the literature of science. --This text refers to an out of print or unavailable edition of this title.
He shows Trump’s relentless willingness to lie, exaggerate, mislead, or manipulate. Trump emerges as a man without a soul—a man who courts evangelicals and then trashes them, panders to the common man, but then rips off small business owners, a con man who will do or say absolutely anything to win, regardless of the cost to his family, his associates, or his country. At the heart of Disloyal, we see how Cohen came under the spell of his charismatic "Boss" and, as a result, lost all sense of his moral compass. The real "real" Donald Trump who permeates these pages—the racist, sexist, homophobic, lying, cheating President—will be discussed, written about, and analyzed for years to come.
The narrator, an elderly, unnamed Manhattan lawyer with a comfortable business, already employs two scriveners to copy legal documents by hand, Nippers and Turkey. An increase in business leads him to advertise for a third, and he hires the forlorn-looking Bartleby in the hope that his calmness will soothe the irascible temperaments of the other two.At first, Bartleby produces a large volume of high-quality work. But one day, when asked to help proofread a document, Bartleby answers with what soon becomes his perpetual response to every request: "I would prefer not to." To the dismay of the lawyer and to the irritation of the other employees, Bartleby performs fewer and fewer tasks, and eventually none. The narrator makes several futile attempts to reason with him and to learn something about him; and when he stops by the office unexpectedly, he discovers that Bartleby has started living there.Tension builds as business associates wonder why Bartleby is always there. Sensing the threat to his reputation but emotionally unable to evict Bartleby, the narrator moves his business out. Soon the new tenants come to ask for help: Bartleby still will not leave—he now sits on the stairs all day and sleeps in the building’s doorway. The narrator visits him and attempts to reason with him, and surprises even himself by inviting Bartleby to come live with him. But Bartleby "would prefer not to". Later the narrator returns to find that Bartleby has been forcibly removed and imprisoned in the Tombs. The narrator visits him. Finding Bartleby glummer than usual, he bribes a turnkey to make sure Bartleby gets enough food. But when he returns a few days later Bartleby has died of starvation, having preferred not to eat.Some time afterward, the narrator hears a rumor that Bartleby had worked in a dead letter office, and reflects that dead letters would have made anyone of Bartleby’s temperament sink into an even darker gloom. The story closes with the narrator’s resigned and pained sigh, "Ah Bartleby! Ah humanity!"
Frank McGuinness was born in Buncrana, Co. Donegal, and now lives in Dublin and lectures in English at University College Dublin. His plays include: The Factory Girls (Abbey Theatre, Dublin, 1982), Baglady (Abbey, 1985), Observe the Sons of Ulster Marching Towards the Somme (Abbey, 1985; Hampstead Theatre, London, 1986), Innocence (Gate Theatre, Dublin, 1986), Carthaginians (Abbey, 1988; Hampstead, 1989), Mary and Lizzie (RSC, 1989), The Bread Man (Gate, 1991), Someone Who\\\\\\\'ll Watch Over Me (Hampstead, West End and Broadway, 1992), The Bird Sanctuary (Abbey, 1994), Mutabilitie (NT, 1997), Dolly West\\\\\\\'s Kitchen (Abbey, 1999; Old Vic, 2000), Gates of Gold (Gate, 2002), Speaking Like Magpies (Swan, Stratford, 2005), There Came a Gypsy Riding (Almeida, London, 2007) and Greta Garbo Came to Donegal (Tricycle Theatre, London, 2010). His widely performed versions include Ibsen\\\\\\\'s Rosmersholm (1987), Peer Gynt (1988), Hedda Gabler (1994), A Doll\\\\\\\'s House (1997) and The Lady from the Sea (2008); Chekhov\\\\\\\'s Three Sisters (1990) and Uncle Vanya (1995); Lorca\\\\\\\'s Yerma (1987); Brecht\\\\\\\'s The Threepenny Opera (1991) and The Caucasian Chalk Circle (1997); Sophocles\\\\\\\' Electra (1998) and Oedipus (2008); Ostrovsky\\\\\\\'s The Storm (1998); Strindberg\\\\\\\'s Miss Julie (2000); Euripides\\\\\\\' Hecuba (2004) and Helen (2009); and Racine\\\\\\\'s Phaedra (2006).
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